Variations of the titular phrase pop up on a few tracks, and on “Another One,” he croons, “Who could that be knocking at her door? / Must be another one she loves.” The title is not a winking nod to DeMarco’s prolific output rather, it refers to the glum realization that his lover has left him for another man. The mood on Another One is heartbroken, with nearly every song detailing a breakup. His new mini-album (its eight songs making it awfully short for an album but very generous for an EP) represents another step down the path of maturity.
His solo career may have begun with sleazy Elvis knockoffs and tape-wobbled ditties about cigarettes, but 2014’s Salad Days was filled with heartfelt love songs and references to family and friends. The irony is that, the more that fans have become enamoured with his jokester persona, the more DeMacro’s music has grown serious and contemplative. He exudes affable approachability, and it’s easy to imagine that he would be a lot of fun to hang out with.
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His gap-toothed grin, gross-out sense of humour and complete lack of inhibitions - plus his seemingly sweet and devoted relationship with his girlfriend - have made him an unlikely superstar with a particularly fervent underage fanbase. Mac DeMarco has been wildly successful in the past few years, and in that time, something of a cult of personality has sprung up around the Canadian-born/New York-based songwriter.